Tuesday, November 14, 2006

Image Essay #12


PIET MONDRIAN Piet Mondrian is a Dutch painter, who carried abstraction to its limits. Through radical simplification of composition and color, he sought to expose the basic principles that underlie all appearances. He developed "neoplastic" aesthetic involving reduction of paintings to elements of straight lines, primary colors, noncolors. Mondrian created a new style called Neoplasticism, based on some of the ideas of the cubists. He created a series of almost identical geometric paintings based on a theory of universal harmony. Neoplasticism is the theory and practice of the de Stijl group, chiefly characterized by an emphasis on the formal structure of a work of art, and restriction of spatial or linear relations to vertical and horizontal movements as well as restriction of the artist's palette to black, white, and the primary colors.

Mondrian’s goal was to eliminate all traces of representation in favor of balanced compositions of primary color and vertical and horizontal lines. His belief that a canvas—a plane surface—should contain only planar elements led to his abolition of all curved lines in favor of straight lines and right angles. In other words, Neoplasticism represents the absolute elements—primary colors and vertical and horizontal lines—that underlie all appearances. He used vertical and horizontal lines to show that the canvas was a place consisting of right angles. His achievement of balance between unequal parts affected the direction of art, architecture, and industrial design.

In this piece named, Composition with Red, Black, Blue, Yellow and Grey, Neoplasticism is defintly at work. The painting includes straight, grey lines, and the primary colors red, blue, and yellow. The straight lines only create geometric shapes, and no curve lines are present in this piece. This is an above average example because it contains all the pieces that make up a piece of Neoplasticism work of art.

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